All LONGHI, Pietro Oil Paintings


       Prev  1  2  3  4
  Prev Artist       Next Artist     



LONGHI, Pietro The Rhinoceros (mk08) oil painting


The Rhinoceros (mk08)
Painting ID::  21920
Artist: LONGHI, Pietro
Painting: The Rhinoceros (mk08)
Introduction: c.1751 Oil on canvas 62x50cm Venice,Ca'Rezzonico
   
   
     

 

 

 

 

 

 

 

LONGHI, Pietro The Tooth-Puller (mk08) oil painting


The Tooth-Puller (mk08)
Painting ID::  21921
Artist: LONGHI, Pietro
Painting: The Tooth-Puller (mk08)
Introduction: c.1746-1752 Oil on canvas, 50x62cm Milan,Pinacoteca di Brera
   
   
     

 

 

 

 

 

 

 

LONGHI, Pietro Duck Shoot on the Lagoon oil painting


Duck Shoot on the Lagoon
Painting ID::  41218
Artist: LONGHI, Pietro
Painting: Duck Shoot on the Lagoon
Introduction: mk157 c.1760 Oil on canvas 57x74cm
   
   
     

 

 

 

 

 

 

 


       Prev  1  2  3  4
Prev Artist       Next Artist     

     Check All LONGHI, Pietro's Paintings Here!
     Italian Rococo Era Painter, ca.1702-1785 Painter and draughtsman. His father, Alessandro Falca, encouraged his natural talent for drawing, and he studied under Antonio Balestra for 'several years', according to his son, Alessandro Longhi. Balestra probably took Pietro to Bologna and recommended him to Giuseppe Maria Crespi. No documents exist on Longhi until 1732, the year he married, and some doubt has been expressed about his study with Crespi. There is no trace of Crespi's influence in Longhi's altarpiece for the parish church of S Pellegrino in Bologna, St Pellegrino Condemned to Death, installed in 1732; Crespi's style is an intimate one, however, and would have been inappropriate for such a large altarpiece. One of Longhi's first independent works, the St Pellegrino altarpiece recalls his Venetian origins and training in its broken brushwork and colour glazes. In another early work, the Adoration of the Magi (Venice, Scuola Grande S Giovanni Evangelista), documented in 1733 as at S Maria Materdomini, Venice, the subject-matter lends itself to a more domestic treatment, and Crespi's influence is evident. Both these works contain passages anticipating Longhi's subsequent development as a genre painter; in each picture a boy or young man, perhaps a self-portrait, gazes out at the spectator, unconcerned with events in the painting. . Related Artists to LONGHI, Pietro : | Workshop of Michele Marieschi | Wilhelm Leibl | MEI, Bernardino | PYNAS, Jacob | Kazimierz Wojniakowski |

 

 

 

CONTACT US
Contact us!